IZotope RX 8 added Spectral Recovery, which restores lost frequencies above 4 kHz, turning bandwidth-limited audio into clear, articulate recordings, a dedicated Guitar De-noise module, which although refined for removing hums and buzzes from guitar tracks is also great for any hum and buzzes you might have on any type of audio. With RX 7, iZotope added Dialogue Contour, to be to change the intonation, a dedicated dialogue De-reverb module, multi-channel support up to 7.1.2, Repair Assistant, which uses AI to analyses the audio and offer options for you to consider and Music Rebalance, which uses source separation, identifying vocals, bass, percussion, and other instruments, enabling you to be able you to change the mix after the event. It also introduces creative approaches to age-old music recording problems like microphone bleed, sibilance, mouth clicks, and breaths. RX 6 brought cutting-edge technologies for post-production like lav mic de-rustle, dialogue isolation, and intermittent low-end wind rumble removal. Trusted by the top audio pros around the world, iZotope RX is built on years of extensive research in advanced digital signal processing and machine learning.
Our experience has also shown that it is sometimes worth having more than one of these in your tool kit because they all work differently and so for one audio example one of these will do a better job than another, and on a different audio example another one will do the best job. In this article, we highlight a selection of audio restoration software packages, some stand-alone, some plug-ins and some that offer both options that we think you should try out. These are just some of the reasons we turn to audio restoration software to help us resolve. Maybe it was too windy, or the mic was rubbing on the person's clothing.
We end up with location recording with noises that we don't want or spill from adjacent sources. But in this real world we live in, we are presented with a wide range of audio that is recorded too high and so is distorted or recorded too low so that when we boost it is noisy. After all, we all record audio at the correct level in ideal locations, without any technical defects or any other outside influences. Audio restoration software are tools that in theory, we should never need.
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